Painting to be included in upcoming book "AcrylicWorks 5: Bold Values"

"City Looks Pretty To Me", acrylic on canvas, 20" x 20".  This painting will be included in the upcoming hardcover book AcrylicWorks 5: Bold Values.

TheCityLooksPrettyToMe.jpg

I received another exciting message in my email this week! My news is that my painting "City Looks Pretty to Me", acrylic on canvas, is to be included in an upcoming hardcover book by North Lights Books.  AcrylicWorks 5: Bold Values  is the title of the book, a compilation of work from approximately 115 artists, including artwork that's based on the use of bold values. Value, in paintings, means the contrast of dark to light colors in a painting, and is the predominating feature for the design of a painting.  I thrive on design and composition and it's a huge motivator for my painting process.  I often ask mid-painting "is this working?" .  In all the creative arts,  this is the personal question designers and artists are constantly asking themselves. To be followed by Tim Gunn's comment, to  "Make it work."  A gorgeous color palette (as a sole design emphasis) on a painting does not make a painting work, it's the use of values in design that makes a painting hold together well. 

The call for art from North Light Books stated this in the description: "One cannot overstate the importance of value in painting . . . we are looking for excellence in acrylic painting in a variety of styles and subjects. The dominant medium must be acrylic."  So, understandably, I am thrilled to have this in my future. This 5th edition of AcrylicWorks will be published in 2018. 

My next contribution for the book will be to write a short piece about my intention, my thought process and inspiration for creating this painting, and how these relate to the theme of bold values. Since I thrive on composition, design and the use of values  (the supporting framework for design), the only difficulty will be remembering what my inspiration was! Again, this is a painting that came out of my painting process, not from a literal or tangible reference.  The title came to me after I stood back and viewed the painting from a distance . . .I love the shapes, lighting, shadow effects and color palette found in the landscape and visual fabric of cities . . . these are such exciting sources for inspiration for my creativity. 

Update 5-27-18  I've received my complimentary copy from North Light publishing! Looks fabulous. See this link to preview and purchase the book:

 

AcrylicWorks 5, Bold Values: the best in acrylic painting

A peek at the 4th edition, published in April is here: 

http://www.northlightshop.com/acrylicworks-4-captivating-color-hardcover

A special Art Commission

Here's a post on how a recent painting Commission developed. It was a special experience for me and one that explains my commission process.

 I had the most wonderful client this Fall; she walked into my studio in the middle of a big rainstorm with her baby boy peacefully sleeping, wrapped tightly to the front of her.  We then took a few moments to get acquainted and she said she needed a painting for the master bedroom of their new home. This client was prepared! She knew the exact size of the artwork she wanted, and knew when she saw my work elsewhere that I'd probably be the artist to create a contemporary painting. The decision maker for her was spotting a painting of mine, in her color palette. We laid a couple canvases out on the floor to visualize exact measurements for the commissioned painting. One interesting point we had in common was that our hometowns are located about 60 miles apart, in Southern California.

We talked about the most important item on her list:  the color palette.  Then, the style followed that. The client was quite drawn to the rest of the paintings on my studio wall.  These important points made me feel I could easily create something we'e both be very happy over -  no problem!   The original painting we focused on for an exact color palette and style is 'River Rain', 30"x30", in oil on canvas, shown below.  The price was set at the time we signed an Agreement: I use a formula for pricing paintings that gives the client an exact cost. 

The client and I talked over details, then signed an agreement with the set price and timeframe and a deposit was paid.  My first step was to order a custom sized canvas from a reputable, known supplier. I thought the best way to show my proposed idea for a new, horizontal wide- format painting was to do a Photoshop concept. That's a fun chore for me! And it would work for both of us: it would give the buyer an idea on what to expect in color and painting composition in the new horizontal format.  And it would give me a composition and foundation with which to begin the new painting.  

The Photoshop idea is shown above.  I let the buyer know the colors would be exactly as the original 'River Rain' painting, but that there'd be some adjustments in pattern and composition. I also thought the finished painting needed to be a bit more minimal than this Photoshop image.

While painting, I'd mix the various colors, then take a dab on my painting knife over to the original painting, to make sure the color mixes were exact, as this was the most item that was primary for the client. It's not good when you have a specific color of green throughout a room, and a big focal element in the room like a painting is a few shades off! Greens are one of the trickiest colors in any palette, so I made sure to match colors.

The heavens and skies cooperated. During the creation of the original painting last winter, I opened the studio windows to the sound of rain.  During the painting process for the second version, the winter rains continued! I don't use this word loosely, but I felt blessed in the creation 'River Rain, version two'. Painting can be a spiritual experience for me, I must say that!

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Here's the completed 'River Rain, version two', 30" x 48", above. At about the 75% completion stage, I sent a photo to see if I was on track.  Yes!  I felt some real joy, at hearing that! So in a few days I finished, signed, got the painting ready for hanging and scheduled a day we could meet. The client was so pleased! Me too!  This was a most pleasurable commission; each custom artwork takes its own path and process, depending on the artwork. Other significant commissions have included a large abstract triptych for a home in Reno, Nevada with frame suggestions, a series of artwork and a commissioned painting for the ArtFul Plate project for Yolo Arts, and a large watermedia painting for a student organization on campus, along with others.

Color palettes, sizes, styles, formats and framing suggestions if needed, all are open to the client's wishes. I work with the client to give what they want, based on my current and past work, and what I believe I can achieve. An agreed-upon set of points will be described in a short 2 page commission Agreement. Work in progress on the commission are then given to clients in emails & photos, as needed. Working as a landscape architect on multi-million $$ projects which were very complex and which could take years of planning (with many changes) before completion trained me for the commission process, from visualization to finish! 

Use the  Contact Page to begin if you want to explore ideas, ask questions or find out the possibilities and costs for a custom artwork for your home or your office.